This is Colonel Frederick Fitzwygram’s wonderful book on horse and stable management. First published in 1862, it was in print well into the 1900s. Fitzwygram was influential in improving veterinary care in the British Army. He had a particular interest in farriery – I believe there is a shoe named after him. Fitzwygram also advocated the good care of all horses. Although his advice has of course dated in some respects, and certainly in terms of the treatments that are now available to veterinarians, much of what he has to say is just as valid today as it was in 1862.
Pictured, is my copy of Horses and Stables which was purchased in a second-hand bookshop in London (for a song) about ten years ago. Little knowing that it would become one of the books I would endlessly refer to during my research!
Here is a sample of Colonel Fitzwygrams’ sage advice from the 1869 edition. He outlines the basic principles of good stable management as being: 1. a well-ventilated stable; 2. judicious watering and feeding; 3. good forage; 4. good grooming; 5. good shoeing; 6. sufficient and well-regulated exercise. He then goes on to tell us:
These are no doubt simple recipes for successful stable management, – too simple perhaps for many, who believe that there is a mystery in stable management known only to a few. Yet from neglect of these common and obvious requirements, few horses look as well as they ought to do. Many become sick or lame, and thus entail trouble, expense, and loss, which might easily have been avoided. To ensure the highest development of health and strength, not one or two or even three of these essentials are sufficient, but all must be combined. Your cannot have strength in a chain, if any one link be defective.
If you are the sort of horse person who notices when Poldark’s horse keeps changing colour, or that the horse Merlin set off on several hours ago (usually at a gallop) is miraculously still also trotting about in Camelot, then you’ll enjoy Tim Pears’ The Horseman. It proceeds at a steady pace, with lots of wonderfully wrought horse-centric details. The story is set in the early twentieth century and centres around a boy called Leo and his love of the horses around him. I say it is steady, but perhaps evocative and stately would be more appropriate. But don’t be fooled, there is drama too. ((I won’t spoil it.) Published by Bloomsbury.
Bit of a change today, as I am currently writing a review of Diana Ahmad’s Success Depends on the Animals for H-Net. I have to say that I have thoroughly enjoyed reading Diana’s book about emigrants and their animals on the overland trails in America from 1840 to 1869. What has perhaps fascinated me most are the strong parallels that can be drawn between the emigrants and their livestock and my own research into the soldier-horse relationship during The Great War. Diana describes how emigrants often knew very little about oxen, horses, or mules before undertaking their epic journey, but soon came to trust and respect the animals with whom they shared the dangers and privations of the overland trails. Like many soldiers of the First World War, they also realised the importance of always putting their animals’ needs first; often risking their own lives to save them from danger.
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Hello! Just to let you all know how The Horse and the War is getting on. Well, as you can probably guess by the title, it’s finished! It took some time, but I am really pleased with it. Looking at the photographs you’ll probably wonder what all the fuss is about. It doesn’t look that different from before? Well, maybe that is the sign of a job well done. I’d say The Horse and the War is now fit for another hundred years of reading! Well chuffed!
The repaired spine. Just a little of the new cover fabric can be seen.
Repairs to pages and new sewing inside.
The cover repaired and touched up without obviously altering the book’s original appearance.
Casing in. This proved quite difficult – hence the wrinkles!!!
Just a quick update on Laura was my Camel. Mission accomplished! Although not perfect, going it alone has really tested how much I have learned. A few head scratching moments and a lot of looking at other books for reference later and we have a book again. Or should I say ‘still’! Casing the book in (putting it back into its cover) proved very tricky. Largely because all the repairs had made the spine bulkier than it had originally been. So, annoyingly, I’ve ended up with some wrinkles in the end papers. Not to worry though – we’ll know for next time. Onwards and outwards…
I started this project last week, and it’s the first book I have worked on unsupervised. Matt has given me a few pointers, but this time the work is my own entirely. Of course, I haven’t chosen a first edition of Bleak House for this momentous step, but the rather lovely (but obscure?) Laura was my Camel – price £2.50!!!
Here are the signatures (book sections) with all the old glue and spine lining carefully removed. However, the original binding wasn’t great and has left big holes that will need to be repaired prior to taping and sewing. Not doing this will just mean there is nothing solid to sew through!
Japan paper and wheat paste repair to fold. I’m going to have to do this with most, if not all, of the pages. This could make the book more bulky, so a rethink might be needed about how to repair the cover to accommodate it…